PresentJanuary 4, 2007 11:10 am

Any  account  of  Indian  playback  music  starts  and  ends  with  the name - Lata Mangeshkar.Lata Mangeshkar
With  awards  like  Bharat  Ratna  and Dada  Saheb  Phalke  Award  conferred  upon  her,  her  list  of  awards  would  outnumber  even  the  total  songs  sung  by  most  singers.  Singing  for  almost  everyone  from  Nargis  to  Kareena,  she’s  been  the  voice  of  India’s  cinema.  Her  melodious  voice  has  won  hearts  of  millions  across  the  world.  Known  as  the  nightingale  of  India,  she’s  truly  the  pride  of  India -  Lata Mangeshkar

…to be continued…


 

Uncategorized 10:50 am

Nagpur Improvement Trust (NIT) building, Sadar, Nagpur

The contrast cannot get starker than this. Maharashtra’s winter capital city is also the capital city of the state’s suicide zone, Vidarbha. It’s a lively city, and has abundant green pastures, literally as well as figuratively. The sleepy, almost static city is at the cusp of a transition. The famed economic boom finally seems to have finally descended on the zero mile city.

Defining Nagpur takes much more than clichés could tell. It’s the same city where Dalit messiah Dr BR Ambedkar embraced Buddhism. It’s the same city where India’s ideological Right, the Rashtriya Swayamsevak Sangh, has its headquarters. And, of course, it is still India’s geographical centre.

But the Multimodal International Hub Airport at Nagpur (MIHAN), said to be the country’s first, could catapult it at the centre of a great economic activity. And, to use the mother of all clichés, it is India’s orange city. Time is just ripe for Nagpur’s oranges to go places.

The 24-lakh-plus city is no more condescendingly considered a big village. Its transition phase has already morphed Nagpur into arguably the most happening Tier-II city in Maharashtra. A poll to elect its 136-member civic body could not have come at a better time.

For the state BJP president Nitin Gadkari, this is a big match as Nagpur is his home ground. Mr Gadkari has to win this one for his party, and for himself. In this RSS bastion, the BJP has only once won the Lok Sabha election. And only once it has ruled Nagpur Municipal Corporation, between 1996 and 2001. So, it’s a prestige battle for BJP though Mr Gadkari would like to keep it low-key. “It’s like any other election for me and I am fighting it as an ordinary BJP karyakarta,” maintained the BJP heavyweight.

BJP legislator from West Nagpur Devendra Fadnavis, who was mayor when the BJP ruled, is clear that Nagpur has reached a take-off stage as a result of the foresight shown by his party. “In 1996, we planned for ten years and achieved half of it by the time we left office. But the Congress has not been able to carry forward that legacy. Nagpur’s profile has changed but the civic rule has not caught up with the rising aspirations,” Mr Fadnavis maintained.

Giving the BJP a tough time are two Congress satraps — Nagpur MP Vilas Muttemwar, who is also union minister of state (independent charge) for non-conventional energy, and Maharashtra minister for textiles Satish Chaturvedi. Mr Muttemwar claims MIHAN has always been his brainchild and it’s happening now because of the Congress rule in Nagpur, state, and at the Centre. Here the Congress has not formed a pre-poll alliance with the NCP.

Apart from the Rs 7,000-crore MIHAN, an SEZ that is being developed as part of MIHAN has already bagged investment commitments from IT majors such as Satyam Computer, L&T Infocity, and real estate major Shapoorji Pallonji. US aircraft manufacturer Boeing has announced an investment of $185 million in setting up a maintenance, repair, and overhaul (MRO) facility and an aeronautical training institute in Nagpur. Clearly, a modest civic budget of Rs 500 crore does not represent Nagpur’s potential.

Nagpur’s success story has spawned an unprecedented real estate boom, says prominent developer Vishwas Sahasrabhojanee. “The feel-good factor is definitely working in Nagpur. It used to be called orange city in the distant past. Then, its rich green cover earned it the honour of the second greenest city. Swanky roads added another feather of getting famous as a clean city. Now, it’s being regarded as the cream city where all this has created a good investment climate and a realty boom,” Mr Sahasrabhojanee says.

Vidarbha Industries Association president Mohan Agarwal could not agree more. “Nagpur’s moment of glory seems to have finally arrived. It’s time the municipal authorities and city fathers seized the moment and planned for the future. Planning henceforth must factor in 25%-30% rise in population in next 10 years and the economic growth,” Mr Agarwal recommends.

That’s what Nagpur expects from the 2007 civic poll — a holistic plan for the future. Just as the city celebrates the end of a virtual economic drought, it wants its civic rulers to remember what happened to Pune when it started rocking. “What we can learn from Pune is plan well in advance so that economic activity does not take the better of civic infrastructure,” Mr Fadnavis prescribes.

-a report by Abhiram Ghadyalpatil

Uncategorized 9:39 am

Dil jo na keh saka…wahi raaz-e-dil, kehne ki baat aayi…

 

Mohd. Rafi was perhaps the most popular male playback singer ever and maybe the second most popular singer of Indian Cinema after who else Lata Mangeshkar!

Rafi could sing for anyone in any style. At one stage in the 1960s Rafi was the voice of Dilip Kumar, Dev Anand, Shammi Kapoor, Rajendra Kumar, Johnny Walker, Sunil Dutt, Biswajeet, Joy Mukherjee, Dharmendra, Shashi Kapoor and Raaj Kumar! From the classical Madhuban mein Radhika Nachi re to the swinging Aaja Aaja Main hoon Pyar Tera, from the soulful Hum Bekhudi Mein Aapko Pukarein to the comic Sar jo Tera Chakraye, from the philosophical Dekhi Zamaane ki Yaari to the frivolous Aiaiya Karoon Main Kya Sookoo Sookoo, he could sing anything! In fact Rafi was blessed with such a range that he could easily sing in three octaves without veering out of control.

Born in Kotta Sultansingh village in Punjab (now in Pakistan), Rafi moved to Lahore when he was 14. There he studied music under Khan Abdul Waheed Khan, Jeevanlal Matto and Ghulam Ali Khan. He was introduced to radio Lahore by composer Feroz Nizami and made his film debut as playback singer in the Punjabi film Gul Baloch (1944).

He moved to Bombay in 1944 where he was first given a break by Naushad in Pehle Aap (1944). Rafi’s earlier singing style appeared influenced by G.M. Durrani and his first really big hit was in Jugnu (1947) where he sang the duet Yahaan Badla Wafaa ka Bewafaee ke Siva Kya Hai with Noor Jehan under Feroz Nizami. But his career really took off with the all-time hit Suhani Raat Dhal Chuki from Dulari(1949). From then there was no looking back and Rafi ruled as the undisputed king of playback singing till the early 70s when Kishore Kumar took over. However it took Rafi much of the 50s to establish his superiority over rest of the competition. Kishore Kumar and to a lesser extent Mukesh and Talat Mehmood were preoccupied by their acting while Hemant Kumar saw a decline in his singing career by the end of the 1950s. Manna Dey never really got the breaks his talent deserved and from 1960-1970 Rafi was unchallenged at the top.

But in spite of his superstardom he remained humble and soft-spoken and never forgot his riyaaz. Rafi has sung some of the best songs for heroes under the influence of alcohol (Din Dhal Jaaye in Guide (1965) and Choo Lenedo Nazuk Hothon ko in Kajal (1965)) but never touched alcohol himself!

While Rafi has sung with every top music composer and co-playback singer there was always something special when he sang under the baton of Naushad and S.D. Burman. Aradhana (1969) and the Rajesh Khanna wave saw Rafi displaced by Kishore Kumar and the early seventies was a creative nadir for him.

But Rafi was not one to quit and made a grand comeback with the Nasir Hussain musical Hum Kissi se Kum Nahin (1977) and Amar Akbar Anthony the same year even winning the National Award for Kya Hua Tera Vaadaa for the former.

But this comeback phase did not last very long as in 1980 Rafi succumbed to a heart attack. However by then Rafi had established that his was one of the most recorded voices in Indian cinema and till date not a single day goes by without Rafi being heard on radio or television.

ref: http://www.upperstall.com/people/rafi.html